May 222013
 

For a long time, this story seemed to slip the radar for many fans, myself included. Like I've mentioned previously, Target (novelizations) missed this story out til a good dozen years had passed since it's one and only transmission. Early in the video releases, in the early 90's, this one was always by default, gonna be right at the back of the queue, and for some reason was dubbed as the forgotten story of Season 8. If you read articles on Doctor Who circa 1971, it's all Autons, Axons, Adjudicators and Azal…That's harshly unfair,and a load of old Bok's, as I found when UK Gold (bless 'em!) showed the entirety of the 3rd Doctor era in 1993, and I finally got to see The Mind of Evil …in living colour….if I squinted.

I love this era of Who, the UNIT family just works, along with the always familiar cadence of the Master close behind. It's Who folklore, to me anyway…the evil renegade(TM) returns in every story of Season 8. But this is the first story after his debut for him to appear, surely surprising at the time?!  Who would expect a villain to appear so soon after his defeat one week hence?! It works excellently here, sat puffing away on a cuban cigar, eavesdropping on jolly old Yates and Benton, with a sinister smirk, Roger Delgado owns the screen….The true mind of evil of The Mind of Evil, Delagdo, never better than here, playing his games, manipulating companions, prisoners and even the Doctor himself into believing him for his own ends. But the most powerful moment is the Doctor's image towering over his mortal enemy, laughing maniacally, taunting him….that is the Master's greatest fear. Little gems secreted away mean more that giant stones sometimes.

The Keller Machine, whilst it doesn't appear to have scary factor that the other 'monsters' of Season 8 have, for me works in the way Don Houghton devised it. It's not possible to move about, at least not at first, of it's own accord, but seemingly able to drown people(in a dry room, no less), and have them bitten to death by rats (very Doomwatch, remember that?!) !), or scared to their very wits, is a powerful idea. For the Doctor himself to cross the Machine and suffer, very visibly, more than we'd ever seen by that stage, was extremely chilling. Facing his fears of the world in flames, harking back to a near fiery end in Inferno (from the previous season, a continuity flash we'd not seen seen that often before?), Pertwee shows complete terror in this scene, as he does when faced by his old enemies, Dalek, Cyberman….oh,and a Zarbi….?!

I love the Nestene invasions, the Omega affair, the Spiders of Metebelis III, the giant Maggots, and the mighty tag team of Azal and Bok. But the UNIT family's finest hour,in my opinion, is here at Stangmoor Prison. The Brigadier in fine form, confronted by Puff the Magic Dragon, then later saving the Doctor in the nick of time. Captain Yates crashing off his motorcycle, Benton going all oopyzootics thanks to Chin Lee's special powers, and the Brig's cutting put down to him after. Such brilliant guest stars, as Simon Lack, William Marlowe, and Neil Marlowe, all of whom would return to Who later in the 70's, make their mark as believable characters, that make what should be a meandering, lacklustre 6 parter, a story to get your teeth into. Roll on 3rd June, when it'll once more be in full colour….I'll be in the queue that day, mark my words. — Andy

Alan's #27 – Earthshock
David's #27 – The Waters of Mars
Steve's #27 – The War Machines

 Posted by at 2:00 am
May 192013
 

Busy time here at THT Worldwide, so much so that some of our usual attention to The Name of the Doctor will regrettably have to be delayed, and there is so much to say about the episode.  

We will say this however, this story sits right at the top of our Series 7 Dynamic Ratings Table … and by a comfortable margin.  If the THT Brain Trust could revise our personal list used for the 50 for 50 Countdown, this story would be in the top 20.

It was that good, and quite probably Matt Smith's best episode.  The Name of the Doctor wasn't needlessly breathless, there was tons of fan service, but not at the expense of the story, and the story itself hung together and made sense.  

The final reveal, while not wholly unexpected given image leaks that any terminally curious Doctor Who fan (such as yourself) would already be aware of, has very interesting implications, and how we integrate those questions into the next six months (and into the Tour), will help propel us forward.

Images for The Name of the Doctor are pretty much the bog standard that we have cobbled together from everywhere time and gumption would allow.  Caps however (and there will be plenty we can tell) will have to wait for approximately a week while family obligations take precedence.  We did have time enough though to throw a set of caps together for She Said, He Said.

More next week…

 Posted by at 3:56 pm
May 142013
 

The classic era of Doctor Who drew to a close on a pleasingly memorable high note with Rona Munro’s satisfying and intelligently written tale Survival.

This not only brought out the best from Sylvester McCoy, but was surely Anthony Ainley’s finest hour as the Master, exchanging a sometimes pantomime-like performance for a superb portrayal of evil desperation that any great thespian should be proud of.  In this dark story, which thoughtfully explores the concept of ‘home’, the manipulative renegade is trapped in a dire predicament where the influence of the Cheetah planet is causing his own ‘animal’ nature to start taking over and he is determined to free himself from the fate of evolving into one of the Cheetah people himself. The dramatic scene of the Doctor confronting the Master, framed by the backdrop of the fiery red sky of a disintegrating planet, certainly leaves an indelible impression on the memory.

Survival also persevered with the rewarding character development and growing maturity of Ace, which was a feature of the 26th Season, complementing the theme of evolution that was central to this serial. Finally, the notion of belonging and attachment to a particular place is exquisitely challenged when Ace rejects Perivale and the rest of her past in favour of the Tardis and the inevitable uncertainty that it brings.

As a piece of quality drama, Survival deserves a place in the top 50 in its own right, but this is further cemented by its significance as a fitting finale to the classic era and a huge punctuation mark in the overall history of Doctor Who.

There are many who would say that, after 26 years, the show had become tired and had forgotten how to take itself seriously – but as the Doctor and Ace strolled off to stop the tea from getting cold in another world, Survival thankfully left us with a very positive ‘final’ remembrance of something very special – and it left us hungry (as a starving cat) for more..  – Alan

Andy's #28 – The Dæmons
David's #28 – The Doctor's Wife
Steve's #28 – The Dalek Invasion of Earth

No new Doctor Who next week?  Fear not!  We have a new countdown selection with #27… next week.

 Posted by at 10:13 pm
May 082013
 

​Aliens frozen in the permafrost. Plants that kill. Alien parasite infecting scientist. An evil sociopath who plays music to flowers. And Sarah Jane Smith getting all Mrs Peel.

The Seeds of Doom, our Number 29, owes everything to the stories that it shamelessly borrows from. The Thing From Another World gives us the brilliantly realised Antarctic setting. The Krynoid and it's pods is a direct nod to The Day of the Triffids. The infection of scientists by the very alien organism they are studying is pure The Quatermass Experiment. And the Doctor and "Miss Smith" are excessively violent in this one, and it comes across more like an episode of The Avengers at times (it should be noted that the author Robert Banks Stewart wrote an eerily similar episode of the Avengers called Man-Eater of Surrey Green  –DW). And Prince Charles was busy singing to plants at this time, so is Harrison Chase a parody of our future king? (Another debate for another time!)

The story is well constructed, with exciting locations like the Antarctic base and also gives us Tom Baker at his larconic best:

Harrison Chase: "What do you do for an encore, Doctor?"

The Doctor : "I win."

Sarah Jane is in her best plucky companion mode here with, as mentioned, some very Emma Peel moments.

And it has a wonderfully eccentric villain in Harrison Chase. Apart from having a name that sounds like a setting for an American soap opera, he prefers the company of plants to humans and believes he needs to experiment on us and give us the best of all things fauna. He is wonderfully underplayed all the more chilling for it. And he plays a mean Hammond Organ.

The only real let down of The Seeds of Doom is the the fact that it features the last time we see UNIT for a very long time and it doesn't feel quite right. No regulars are present and it makes you wonder why they even used UNIT at all.

But apart from this, The Seeds of Doom is a wonderful homage to all the great Science Fiction classics and does it with style and panache. Douglas Camfield's direction is superb. The giant Krynoid enveloping the house is one that will remain with me forever.

The Day of the Thing From Another Experiment. What's not to like?  – Steve

Alan's #29 – The Enemy Within
Andy's #29 – Logopolis
David's #29 – The Ribos Operation

The Doctor may have a name, but the name of our game is #28, which comes next week.

 Posted by at 11:00 pm
May 052013
 

The Crimson Horror seems to be an episode destined to create some division amongst fans.  Those itching for Clara clarification and knowing that our all-too-brief run of eight episodes is dwindling rapidly are sure to be annoyed by the relatively light tone to this story and the relatively light presence of the Doctor (and lighter-still Clara).  

But this is an episode that rewards the viewer on re-watch.  Holding off on the appearance of the Doctor has been done many times before, notably in Revelation of the Daleks and The Christmas Invasion, so it makes it an altogether better reveal when our Dr. Scarlet shows.

But the reason this story scores with us here at THT Omniversal is that it's a favorite fusion of Doctor Who styles, the gothic pseudo-historical, used in classics such as The Talons of Weng-ChiangThe Evil of the Daleks, and The Visitation.  Top it off with the magnificence of Dame Diana Rigg and you have a wonderful melange.

Lots of images this time around, which is a good thing because things will be a bit sparse.  Images and caps for The Crimson Horror are now online.

 Posted by at 10:12 pm
May 012013
 

We're really kicking it old school here at 50 for 50 this week.  Back in the earliest days of the series, the educational underpinnings for the series necessitated a mix of science-fiction and 'historical' stories.  Ask almost any fan if they have a favorite historical (being clear to distinguish this from the pseudo-historical such as The Masque of Mandragora) and, if they have an answer at all, will probably gravitate towards today's story, The Aztecs.  

Of course it's a shame that so many of the Hartnell historicals such as Marco Polo (a true classic by acclimation by all who actually saw it) or The Massacre are missing or incomplete because these stories more than any other highlight the just how far the series has evolved in almost every conceivable way from the earliest days of the series.

The Aztecs certainly gives even relatively new fans plenty of reason to have the respect it has earned.  The bones of the story are fairly basic, the Tardis crew land in a location, get separated from the Tardis, and then spend most of the story just figuring out how to get back home.  

The trick the Aztecs pulled off is that Barbara–a history teacher– sees an opportunity to change history but learns the hard way, and importantly for the first time in the history of the show, that you can't change history, not one line (as famously, and beautifully intoned by Hartnell).  The Doctor, Ian, and Susan all have their peripheral storylines tangential to Barbara, but this is largely her story.

Special mention must be made of John Ringham's performance as Aztec High Priest of Sacrifice Tlotoxl, oozing charm, intelligence and treachery at every turn.  Great great stuff.  It was all of these reasons that when the 'Best of the Doctor' stories were being chosen, The Aztecs was the easy choice from the Hartnell era.  It's the highest rated Hartnell story on my 50 for 50 list, and doubtless a favorite of many other fans too. — David

Alan's #30 – Planet of Fire
Andy's #30 – School Reunion
Steve's #30 – Vengeance on Varos

50 for 50 keeps on keepin'on with #29 next week.

 Posted by at 2:00 am